Tagged: erotica

23 Nov

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The Post Oprah Washup

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Oprah and Jenna JamesonSo it’s been almost a week since Oprah did her porn show. I haven’t had a chance to watch it so I can’t comment but it seems the response is not as positive as we’d like it to have been.

This seems due to the fact that the show relied heavily on an interview with Jenna Jameson. Reading comments in the Oprah forums after the show had aired, I was depressed to see so much negativity towards the topic and also toward Jenna herself. Perhaps not surprising – blonde, silicone-boobed Jenna is not exactly the sort of celebrity who appeals to your average soccor mom/Oprah viewer. She’s an example of the mainstream porn industry rather than the new alternative porn that is seeking to cater to women.

By all accounts Violet did a great job but it was Jenna who got the attention – along with Vivid founder Steve Hirsch. The show also featured the owner of an adult store. What is interesting is the number of people who weren’t interviewed.

Which brings us to Candida Royalle. She’s made a comment on Facebook saying she’s “miffed” at the Oprah show for the way it was conducted:

Anyone catch Jenna Jameson on the Oprah show? Jenna trying to take credit for ‘feminist porn’ was a joke. Only thing worse was watching Vivid founder Steve Hirsch try to take credit for the ‘couples market’. Oh really? Was he even in business when I created my Femme line for women and couples in 1984?…

So here’s the deal: I was called by the producers in June and worked with them for 5 months on that show…only to be canned at the last minute along with a bevy of other far more qualified and significant women who made a difference for women in porn…

In the end they went for the most famous, wealthiest and recognizable person who they hoped would bring in the ratings…it is after all sweeps month.

(Quote is from LukeisBack)

I do think it’s a pity that Candida and other female-friendly porn producers (and stars) couldn’t have been on the show. Hell, I’d have paid my own way over there to be on it and give my 9 years’ worth of 2 cents. But I guess it’s a mainstream show and, like Candida said, they wanted something to give them ratings and headlines.

There have been a few articles about the show:

E!Online offered this snarky short piece: Jameson to Oprah: I’m One Classy Lassie

The Examiner had several opinion pieces on the episode. Suzanne White offered this analysis of the show, concluding that it was focused on Jenna rather than on women consuming porn.

Interestingly, Google News lists Oprah/Jenna stories from such worthy tomes as The Plastic Surgery Channel and Celebrity Baby Scoop. I decided not to link to those.

Here’s the page on Oprah.com describing the show along with several other links (including, unfortunately, an article that states that “men are visual, women are textual”).

So… all in all, it hasn’t exactly been the big win I was hoping for.

Incidentally, if I had the luxury of compiling a show about women, porn and the new wave of feminist porn, I’d want to invite a massive guest list. My stars would include:

Candida Royalle, Annie Sprinkle, Nina Hartley, Veronica Hart, Shine Louise Houston, Anna Brownfield, Jennifer Lyon Bell, Tony Comstock, Petra Joy, Erika Lust, Marianna Beck, Maria Beatty, Nina Lennox, Anna Span, Nica Noelle, Jamye Waxman, Audacia Ray, Tina Tyler, Estelle Joseph, Tristan Taormino, Madison Young, Mia Engberg…

And me of course.

Now that I’ve compiled that list, it’s pretty damned impressive, actually, and nowhere near comprehensive.

Here’s hoping the Oprah show decides they haven’t given the topic enough attention and has another go.

20 Nov

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“The Band” Is Now On Amazon

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The Band, a film by Anna BrownfieldAnna Brownfield’s amazing indie erotic film The Band has only just been released in the US and is available on Amazon.*

The Band opened the Berlin Porn Film Festival and played to 3 sold-out cinemas on the first night. The response from the audience and other filmmakers was overwhelmingly positive. I certainly enjoyed it. This film successfully combines a fully developed narrative arc with plenty of hardcore sex. The explicit scenes are just the right length and they’re often combined with humour. Indeed, this film gave me the giggles; not the standard thing you’d expect from a porn movie.

I had the pleasure of meeting and chatting with Anna torwards the end of the festival – she was so busy being interviewed it was hard to pin her down beforehand. It was great to talk porn with a fellow Australian (not to mention revert back into non-enunciated Aussie slang). She’s a no-nonsense, smart and talented woman who really knows her stuff and I’m so glad to now count her as my friend.

Here’s the blurb for the film:

When lead singer Jimmy Taranto dumps his girlfriend Candy then his rock band Gutter Filth, Candy decides to take his place in the band. Together with anal bass player GB, cross-dressing drummer Dee and Jennifer their loyal manager, they begin a journey to stardom. While their success eclipses Jimmy’s, Candy still can’t find the true love she is looking for. But sometimes the things you want are right in front of you. Includes special Making of The Band featurette plus director’s commentary.

The Band is grungy, funny and very sexy and you should buy it!

Here’s the trailer:

* Can I just say how pleased I am that Amazon quietly made the decision to sell erotic films? It used to be that they’d can you as an affiliate if you were also promoting porn.

17 Nov

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Porn For Women In The News

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Levi JohnstonThe mainstream media has featured a number of articles about women and porn recently, most still breathlessly amazed that women enjoy porn.

The Telegraph (UK) featured a short piece on the large number of women present at the Berlin Porn Film festival. It also discusses the “PorYes” awards created by Laura Merritt.

The SMH has reprinted the article today with comments. I’m still waiting for mine to be moderated.

Meanwhile the Fox “Sexpert” Yvonne Fulbright has offered her take one women and porn, disputing the figures about how many women actually watch porn. She then goes on to make lots of generalised statements about “what women want.” Unfortunately the column ends by assuming that only men are reading it – the second last sentence says “At the end of the day, the success of your quest may not be your movie of choice, but getting her to explore different forms of pleasuring in general.”

In other bad press, Kate Harding’s Salon argument that porn doesn’t empower women has irked me in a number of ways, the main one being her use of the term “actual feminist” to describe those who think porn oppresses (as opposed to all of us confused pretendy-feminists who might hold a differing opinion). She is happy to assume all porn is a monolithic bastion of male pleasure to further her point. The article doesn’t do much for creating a respectful or useful atmosphere for discussing various problems posed by pornography.

I wasn’t going to mention it but there’s quite the frenzy about Sarah Palin’s almost-son-in-law Levi Johnston appearing in Playgirl, not quite nude. Good PR for Playgirl but I’m not sure I really want to see that guy in the buff. Because crazed fundamentalist Republican teenage fathers really aren’t my bag, baby.

Lastly, there’s a great interview with Tristan Taormino at Alibi.com along with the schedule of the (just finished) Pornutopia film festival in Alburquerque. It icnludes this interesting quote:

There’s no pat way to make porn appeal to women, Taormino adds. “The first thing you have to do is abandon all hope that you’ll be able to speak to all women,” she says. “I’ve spoken to thousands of women about what they want to see, what kinds of porn they like, what kinds of porn they don’t like, and there is no single female viewer.

Pic is from Gawker.

05 Oct

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British Censors Finally Allow Female Ejaculation Scene

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Anna SpanI’ve just received a PR email from British adult film director Anna Span. She’s won an important legal victory over the British Board of Film Classification (UK censors) over whether female ejaculation exists.

Her film Women Love Porn, which contains shorts from five separate female directors, has been held up for several years thanks to the original ruling of the BBFC with regards to the ejaculation scene. The censors maintained that female ejaculation is not possible and that the scene actually contained urination. They demanded that cuts be made to the film in order to pass.

Anna Span decided to fight the ruling. She presented the BBFC with substantial scientific evidence that female ejaculation is a natural and normal phenomenon, helped by expert Deborah Sundahl.

Anna says; “I am really proud to have changed this outdated ruling and to have made a difference to women who experience this in their own lives throughout the UK. It was never fair that the BBFC dismissed their amazing orgasms as urinary incontinence”

The BBFC is still being a stick in the mud, saying that their “position remains fundamentally unchanged for future releases” but it’s fairly certain that any future bans will be contested based on this precedent.

Interestingly, the BBFC is currently hamstrung thanks to the fact that Britain joined the European Union but they carry on regardless.

I’ll say it again: I’m OK with labelling videos (classifying – on a voluntary basis) so that adults can make informed choices but banning films is just draconian and stupid and it should never happen in a civilised society to values freedom of speech.

Check out Anna Span’s videos at Porn Movies For Women

Update 9th October
This story has now had some decent coverage in the media and large blogs.
Kristina Lloyd from Erotica Cover Watch has this opinion piece in the Guardian.
That article prompted this post at Jezebel.
Violet Blue’s latest column at SFGate is about the issue and she also wrote a blog post about it here.
Eye for Film featured this article on the issue.

01 Oct

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My First Premiere

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I found my heart beating a little faster this week when the organisers of the Berlin Porn Film Festival sent me their catalogue for the upcoming festival. There it was, my film, scheduled to screen at 6pm on Sunday 25th October, 2009. How completely exciting!

I remember the first time I had anything published: it was an erotic story in Australian Women’s Forum in 1997. This film premiere is kind of the same thing. I’m going to be horribly nervous, worried about whether this movie is good enough, whether the audience likes it. I’ll be watching it, picking it apart, thinking of all the bits I’d like to change.

And yet I’ll be immensely thrilled and proud that I’ve made something that’s being screened at a film festival, in a real movie theatre.

The stupid thing is that That’s What I Like has been available on For The Girls for months now and I’m sure it has now been seen by thousands of our members. Haven’t had any complaints. Still, there’s that deep-seated idea that I haven’t really made it unless I a) get a book published or b) make a movie. This first screening is a big step towards the latter option.

In the last couple of days I’ve updated Indigo Lush, the official site of my film production company. If you want to see stills from the short film or learn more, go there.

23 Sep

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How Long Is The Ideal Sex Scene?

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That's What I Like - still from the 15 minute versionIn the last week or so I’ve been musing about the length of sex scenes in videos, specifically, what’s too short and what’s too long.

I was recently editing a non-exclusive male masturbation vid and, in a frenzy of cuts, got a painfully long 18 minute video down to under 5 minutes. In that space of time I captured the guy fondling himself through his pants, taking them off, becoming erect and then stroking himself to orgasm. I watched it with fresh eyes the next day and was very pleased with the result.

This got me thinking that I should go back and re-edit some of the other videos at For The Girls. A lot of them go for at least 10 minutes, some up to 20. When I originally edited them I often left scenes longer than I would like because I figured our members would prefer a nice big batch of ongoing sex with plenty of time for masturbation. That is, after all, the main point of a porn video, yes?

And I suspect this theory of “wank time” is a driving factor behind the length of most sex scenes in porn films. The actors go at it, the camera captures it and the editor gives everybody a whole lot of masturbatory room before anything new or different happens. Plenty of people watch porn with one hand on the remote (or >> button on Windows Media Player) so they can find the bits they want and fast forward what they don’t. Why deprive someone of the possibility of finding a bit they like?

Unfortunately there’s a major downside to the theory of “wank time”: far too many porn scenes are downright boring.

When you think about it, sex is a very repetitive business and there’s only so many ways you can do it. Slot A goes into Slot B, move back and forth, rinse, repeat (or something like that). So capturing every second of it is not necessarily going to reveal anything new or exciting. There might be 3 or 4 minutes of piston-like pumping in any given scene but you might only see one interesting facial expression or line of dialogue in that time. So why persist in giving viewers the whole thing?

Beyond “wank time”, scene length in mainstream porn films may be dictated by the desire to make feature-length DVDs. When you’ve got 90 minutes or more to fill, more footage is better than less, no matter what the quality. It could be argued that the increasing move to web-based product would change this idea but it continues apace. There’s a worry that giving people less product – even if it’s of better quality – isn’t good value for money.

Perhaps another reason for the under-editing is the idea that the footage is there so the director might as well use it. You’ve just spent a bunch of money hiring porn actors and crew to get the scene in the can so you may as well wring it for all it’s worth.

I know. That’s how I originally felt after directing my first erotic short film in February this year. I had a whole bunch of wonderful footage and it was really – I mean really – hard to pick out the bits that would best suit the film because I liked so much of it. And I’ve actually gone through a learning curve with the editing process on that film. My initial cut was nearly 20 minutes. There’s a long version of 15 minutes at For The Girls and the version showing in Berlin is 10 minutes. My R-rated version is 7 minutes. And then I re-cut it again to enter it in the Joy Awards and that version is under 5 minutes.

And having gone through that process, I think the shorter versions are better.

There is of course the balancing act that occurs between authentically capturing the moment and boring your audience. You do want to do your actors and their scene justice by documenting the essence of what went on but you have to also be a little bit ruthless on behalf of your viewers, whose time is precious.

So what’s wrong with editing things down to show four or five strokes (for example), cut to the interesting expression, cue another camera angle, back to the original camera angle… and then move on. Film school students will tell you that 3 seconds is ample time to give your audience an idea of what’s happening. Modern music videos often only give you half a second worth of shot. So why does porn persist in holding the audience captive for so long? Why must we see every different position for at least 3 or 4 minutes? Do people really masturbate along in time, like some kind of perverted Read-A-Long story?

My problem is, I’m not sure that my opinion is reliable on this topic. I’ve been working with porn for nearly ten years now. I’m afraid to say that I find a lot of porn dreadfully boring, perhaps because I’ve seen it all before. Maybe the opinion of a porn newbie or a seasoned fan will be very different.

And I’ve actually been given pause to wonder about scene length even further after watching Nica Noelle’s The Stepmother. The first scene in that film goes for 35 minutes and I think it went for too long. At the same time, I very happily watched it to the 15 minute mark without feeling bored because those first 15 minutes are very watchable indeed. That’s because the sex is so very real, intimate and passionate and I was enthralled to see something like that in a porn movie (still a rare thing!). There were very few edits on show; the footage seemed to flow in real time. Unfortunately, just when it felt like the sex should naturally come to a conclusion, the couple switched positions and kept at it. And at it. And at it. And so I got bored.

And in reality, I could have happily watched a few minutes less of each position, so long as my interest was maintained. As I said in my review: actually having sex for 35 minutes is fun. Watching it for that long, not so much.

That’s the big question: when do things get boring? And are the punters getting bored in the first place or are they just getting busy with their hands (or lovers)?

Meanwhile, Erika Lust has released a short film called Handcuffs that features lots of emotive, film noir build up but very little actual sex. Will it be good wank material? And should it be considered in that sense (because obviously Erika’s film offers more than your average gonzo scene designed purely to get you off)? For some, the erotic atmosphere and shock of the very brief hardcore scene will be enough to inspire fantasies and trigger orgasms. It may leave others cold. Certainly it’s a very left-fieldexample of how a sex scene can be cut together but I do think it shows that the “same ol’ same ol’” theory of porn editing is a bit tiresome.

I asked this question on Twitter a few days ago. I only got one personal reply. She said: “I tend to get what I need by the 15 minute mark.” Meanwhile filmmaker Tony Comstock said that “Boring your audience is a cardinal sin, regardless of subject matter.” And “surveillance camera footage is not a film.” Which is a good point.

But is there a consensus out there about the ideal length of a sex scene? Does it differ according to the type of “action” involved (e.g. can a hetero boy-girl scene go longer than a male masturbation one?) Does “wank time” matter? Let me know!

* Still above is from my film “That’s What I Like”

22 Sep

1 Comment

“Handcuffs” By Erika Lust

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Wow. Erika Lust, who produced the amazingly good Five Hot Stories For Her, is working on a new project. And she’s just released this 7 minute short to promote it.

The first half is a bit too dark to really work out what’s happening but things hot up at the mid way mark. Just goes to show that a film can be incredibly erotic without going into too much explicit detail. And when you do see that erect cock… it makes the impact that much stronger.

Gorgeously filmed too… amazing production values. I’m very keen to see what she’s working on!

Visit Erika’s site – she’s got her movies online there plus a great blog.

04 Sep

2 Comments

Anna Span Releases “Women Love Porn”

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Apocalypse AngelsAlmost 3 years ago I interviewed Anna Span and she mentioned that she was working on a porn film called “Women Love Porn” but it had been delayed. The British censorship body didn’t like a scene of female ejaculation because they don’t believe in it and ruled it to be pissing. (Yes, that’s right. They don’t believe in it. Sigh.)

In any case, this film has been hanging around in the wings for a long time. Now there’s a new line of films that carry the title.

The Women Love Porn Series was launched last month and it currently features 2 titles by different female directors. The first, Apocalypse Angels, is by Katie Coxxx, who won Anna’s competition for new filmmakers a while ago. The second is called Rock Hard.

Apocalypse Angels is titled as “Women Love Porn #2″ but I can’t find any mention of a number 1. This might be the legendary missing title, still hung up in beaurocracy while the prudes argue over whether women really can ejaculate.

Anna Span will be at the Venus expo in Berlin but I’m not sure if she’s going to the porn film festival afterwards. I’d like to meet her and find out just what has happened to the first film.

Meanwhile, I made a separate page at Porn Movies For Women for Women Love Porn.

24 Aug

6 Comments

The OFLC Bans “Matinee”

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MatineeIn Berlin last year I had the honour of meeting Jennifer Lyon Bell, an American filmmaker with a compelling vision for erotic film. Her film Matinee is a gorgeous work of art, well written, masterfully acted and beautifully filmed. It is a wonderful addition to the growing canon of well-made, female-focused erotic films and I consider it to be part of the new wave of sex-positive movies that are forging a new path in porn.

Naturally this means the Australian Office of Film and Literature Classification has banned it.

Matinee was due to screen as part of the Melbourne Underground Film Festival over the weekend but the OFLC told MUFF it would be illegal to show the film in public, effectively banning it. The film has not been officially classifed by the panel; they merely made a brief decision based on… well, I’m not sure what. They haven’t actually seen the film. They found out it had real sex in it and that was enough, I suspect.

MUFF and Jennifer have issued statements regarding the decision and they’re currently on the front page of the MUFF site.

The organisers rightly point out that the OFLC didn’t have a problem with Lars Van Trier’s Antichrist, which disturbingly depicts a scene of female genital mutilation and seems to be misogynist in intent. Jen’s film, which only shows two people having nuanced, meaningful, tender sex, is apparently more offensive than that.

MUFF says:

MUFF opposes the OFLC’s decision on the grounds that it represents a hypocritical and troubling suppression of transgressive female-centric sexuality on film. The modus operandi of Blue Artichoke Films, Bell’s production company, is to create films which portray realistic sexual intimacy, depict empowered female characters, possess artistic merit and strong narratives, and do not fall back upon the damaging and often dangerous stereotypes of female sexuality that the Western media is accustomed to. In other words, Bell is looking to produce films about sexuality which women can enjoy, free of masculine control.

MUFF are considering a “civil disobedience” screening as a way of protesting this ridiculous decision.

Jen writes:

Seriously?

It’s just two characters enjoying sex in a realistic way that fits with their characters’ personalities. Consensual sex, nothing weird. Why on earth would that be dangerous to watch?

What’s weird is that mainstream movies spend hours building up the characters in a story, then mangle the lovescene with brusque camera cutaways and awkward sheet-covering bedroom choreography as soon as the moment arrives. You never see James Bond have sex; after a few witty double entendres it’s fade-out then fade-up with a lit cigarette…and this is considered a perfectly acceptable depiction of sex on film.

Frankly, I’d like to know more about how James Bond does it. Is he a true sexual connoisseur, able to quickly divine each woman’s preferences and feel from her subtle reactions whether she wants her G-spot stroked or her hands deliciously pinned to the bed? Or is he an arrogant Casanova who uses some weird abrasive “patented technique” on every woman he sleeps with, smugly congratulating himself “They all love it when I do that”? I’d like the movie better as a whole because it’d tell me a lot about who he is. Plus, if he was good, it’d be really fun to watch, wouldn’t it?

The films that inspired me to mix explicit sex with story and character – Ken Park, 9 Songs, Shortbus – have all had rough roads. But I hoped that outside of America, my loving but prudish home country, everything would be easier. As it turns out, New York was no problem at all, and neither was Amsterdam (my current home). Strasbourg and Berlin festivals are happily screening it this fall. But Australia has a problem.

It’s depressing but not surprising that Matinee has been banned. It’s becoming increasingly apparent that our country’s ridiculous censorship laws are applied in an ad hoc manner and that they are out of touch with what most Australians think.

How is it that grown adults are prevented from seeing a film because it contains sex? And why aren’t we up in arms about this?

There are no reports in the major newspapers about this issue. I’m hoping to contact Margaret Pomeranz for a statement on where she stands with this. She was willing to be arrested for Ken Park in 2003… will she also speak out for Matinee?

Find out more about Matinee and Jennifer at the Blue Artichoke Films site.

Edit: Tony Comstock gives his view on the issue here.

20 Aug

1 Comment

Great Sex Quotes

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Erotic lighting
The difference between pornography and erotica is lighting. ~Gloria Leonard

My reaction to porn films is as follows: After the first ten minutes, I want to go home and screw. After the first 20 minutes, I never want to screw again as long as I live. ~Erica Jong, Playboy Magazine, September 1975

Familiarity breeds contempt – and children. ~Mark Twain, Notebooks, 1935

Obscenity is whatever gives the Judge an erection. ~Author Unknown

Pornography is supposed to arouse sexual desires. If pornography is a crime, when will they arrest makers of perfume? ~Richard Fleischer

I regret to say that we of the FBI are powerless to act in cases of oral-genital intimacy, unless it has in some way obstructed interstate commerce. ~J. Edgar Hoover, attributed

Tell him I’ve been too fucking busy – or vice versa. ~Dorothy Parker

Remember, if you smoke after sex you’re doing it too fast. ~Woody Allen

Sex is not the answer. Sex is the question. “Yes” is the answer. ~Swami X

A dirty book is rarely dusty. ~Author Unknown

Life in Lubbock, Texas, taught me two things: One is that God loves you and you’re going to burn in hell. The other is that sex is the most awful, filthy thing on earth and you should save it for someone you love. ~Butch Hancock

Life without sex might be safer but it would be unbearably dull. It is the sex instinct which makes women seem beautiful, which they are once in a blue moon, and men seem wise and brave, which they never are at all. Throttle it, denaturalize it, take it away, and human existence would be reduced to the prosaic, laborious, boresome, imbecile level of life in an anthill. ~Henry Louis Mencken

Love’s mysteries in souls do grow,
But yet the body is his book.
~John Donne, Extasy

We have reason to believe that man first walked upright to free his hands for masturbation. ~Lily Tomlin

An intellectual is a person who’s found one thing that’s more interesting than sex. ~Aldous Huxley

Nymphomaniac: a woman as obsessed with sex as an average man. ~Mignon McLaughlin, The Neurotic’s Notebook, 1960

How lucky we are that we can reach our genitals instead of that spot on our back that itches. ~Flash Rosenberg

My father told me all about the birds and the bees, the liar – I went steady with a woodpecker till I was twenty-one. ~Bob Hope

Quotes taken from this page.

10 Aug

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2009 Berlin Porn Film Festival Focuses On Female Filmmakers

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Berlin Porn Film FestivalMy decision has been made. At the end of October I’m going to attend the 2009 Berlin Porn Film Festival and see the European premiere of my film. It’s a shame I’ll miss the Melbourne festival but in the end the Berlin fest is the one more suited to my own work.

My mind was made up when I saw that the BPFF will be focusing extensively on the work of women. Over half of the submitted films were created by female filmmakers, which is unprecedented, I suspect. Even mainstream film festivals might be pushing to equal those numbers.

Better yet, the list of attendees is stellar and includes Candida Royalle, Petra Joy, Shine Louise Houston, Maria Beatty, Emilie Jouvet, Anna Brownfield (the Australian who made “The Band”), Anna Peak and BDSM mistress Julie Simone. I can’t wait to meet these amazing women and discuss the growing genre of porn for women and female-gaze porn.

On top of that there is the presentation of the Joy Award, created by Petra Joy to encourage female perspectives in porn. I’m looking forward to seeing the other the submissions to this competition (because yes, I’m submitting my own movies to it). Petra is presenting a workshop on erotic filmmaking at the festival. I’ll be attending that as well as Wendy Delorme’s fisting workshop.

AND there’s also a brand new erotic fiction festival running in conjunction – Erophil. This will look at erotic literature through films, lectures and professional discussions, including a trade fair. Very cool.

The opening night film at Erophil is Pasolini’s Salo: 120 Nights Of Sodom, a film that has a long history of censorship here in Australia. It’s currently banned so I relish the opportunity to thumb my nose at the government and see it, thus destroying my morals and sense of good and evil, as it will supposedly do. To be honest I’ll probably find it very unappealing but I’ll go and see it out of a sense of rebellion more than anything.

So… it’s gonna be a big week at the end of October and I don’t have much time to organise the trip. But I’m very excited about it and will be taking my camera to document the whole thing.

24 Jul

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Interview With Suraya From Filament Magazine

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Filament magazineOver the past few weeks I’ve been in contact with Suraya Singh who is the editor of the newly launched Filament magazine for women. She’s been on a PR blitz that’s seen her receive excellent coverage in mainstream media and across the web.

When I first found out about the magazine I must admit to being a little skeptical about its chances, mainly because it’s a print magazine. Already it has encountered a number of difficulties from printers and distributors because of the magazine’s cover and content. In this interview, Suraya reveals her reasons behind that particular decision.

I was happy to receive a copy of the first edition and I’m very impressed with the whole concept, partly because I can see it’s a revival of the ideas and philosophy of my old favourite mag/employer, Australian Women’s Forum. I applaud the fact that Filament doesn’t want to make you feel bad about your body by featuring diets or fashion or cosmetics. It’s great to see something that’s about stimulating the mind – and the nether regions! The photography is artistic and moody. Some of the guys were definitely not to my taste but that’s just me.

So without further rambling, here’s the interview:

What do you hope to achieve with the mag?
When I stopped reading mainstream women’s magazines, I stopped having body image issues, but why should an entire media format be off limits to women who want to feel good about themselves? I want Filament to provide a genuine alternative for women – to be sexual without your own body necessarily being the subject of that.

I also hope that Filament will present a genuine challenge to the magazine industry, and the erotic market generally. Women have been put in the ‘too hard’ basket for too long, and the market needs to start taking catering to the female gaze seriously. We’re not gay men in skirts, nor are we merely the wives and girlfriends of the heterosexual male market – erotica producers who want to cater to women have to start by seeing us as women.

Why did you choose print?
I wanted to offer a true alternative to other women’s magazine, and offering the hot shirtless men that were literally in amongst challenging articles was important – like 70s Playboy, but for women. If Filament was just photography, or the articles were shorter and chattier, we almost certainly would have gone for web.

Suraya Singh, editor of FilamentWhat problems have you encountered getting the mag up and running?
We did everything on a budget of basically zero, so everyone involved is giving their time for free, which has its own problems – you can’t pay people to get it done within a particular timeframe, nor can you pay for photographic environments or anything like that. The fact that Filament turned out better quality than a lot of fully professional publications is a huge credit to everyone who gave their time.

Photographing for the female gaze is uniquely difficult because we’re really inventing a new style of photography – there’s no one’s work you can look at and say that’s a perfect example. Getting photography that works on this score is always a challenge.

Distributors have also been really negative about our choice to have a man on the cover. Their view is that women don’t buy magazines with men on the cover. This may be true, but how are things ever going to change if those magazines are never distributed? So right now we’re selling Filament entirely through our website. At the end of each day I print out our order list and put them all in envelopes and send them out, which I quite enjoy actually.

Were you surprised by anything in your online research?
Most of the research we use is published academic research, but we do supplement the finer detail with primary research via our livejournal community. That type of research is pretty unscientific, but it does give us a steer in terms of what to try. For example, glasses on men got an extremely high approval rating – almost 90% of the women we asked thought men are hotter in glasses. Bondage, visually speaking, seems to polarises women – we either love it or hate it.

How do you approach your models?
These days they are approaching us more and more, but I still go up to men that I see in the park or in clubs with a Filament postcard – I suggest they check out the details on the site and if they’re keen, email me some snaps. It’s great now that it’s summer (in the northern hemisphere) as there are more lads around with their tops off. If anyone reading this knows any hot men who they’d like to see in Filament, tell them to get in touch!

What’s your vision for women’s porn?
I’d like to see all those who are producing erotic image of men for women working together to share ideas and cater effectively to different niches. One of the ‘problems’ with the heterosexual women’s erotica market is that women’s tastes are so incredibly diverse – but so are men’s: I think we should share and specialise – I don’t think there’s anything to be gained in trying to compete. I love being able to direct someone who wants something Filament can’t offer to a publication or website that offers that. So far I’ve had great conversations with Syzygy Mag, Shot with Desire and now For the Girlsabout what we do. Long may it continue.

You can get Filament here. Pic of Suraya from the Filament site.